What UK newspaper arts editors have wanted for years to happen in Cannes finally did. It was ‘a great night for the Brits’, with Ken Loach picking up his second Palme d’Or for I, Daniel Blake, his deeply moving indictment of the destruction of the welfare state, and Andrea Arnold winning her third Jury Prize for American Honey, her evocative, energised road movie following youth out to find themselves in the USA.
But it was also a great night for theatre-based films and it could be that the tendency in major festivals to have the majority of jurors be actors may have tipped it in favour of giving the Grand Prix to Xavier Dolan’s OTT stage adaptation It’s Only the End of the World and both the Best Screenplay and Best Actor prizes to Asghar Farhadi’s The Salesman, which combines real-life drama with Arthur Miller’s play Death of a Salesman. I say that not to take any glory away from Farhadi’s winners. I don’t think the film works but the screenplay and acting were good.
I am more puzzled by Dolan’s win, though, since the film is histrionic to the nth degree. But it can be difficult for a jury to come to agreement, and sometimes the best films lose out because of strong objections from just one or two jurors. I guessed Maren Ade’s Toni Erdmann wouldn’t win the Palme d’Or because comedies don’t, but I’m surprised by the total shutout. Having said that, Toni Erdmann is all about surprises, so we’ll put this down to another one.
I’m pleased for Cristian Mungiu and Olivier Assayas, who had to split the Best Director prize (respectively for Graduation and Personal Shopper), and I don’t mind Jaclyn Jose winning the Best Actress prize (for her role in Brillante Mendoza’s Ma’ Rosa) because the field was so tight. Cristi Puiu’s Sieranevada is not the kind of film that wins prizes and the Dardennes have enough on the shelf without getting another. Others elsewhere will complain that this set of awards are some kind of catastrophe, but I leave that to them.
The awards
Official Competition
Competition: feature films
Palme d’Or
I, Daniel Blake directed by Ken Loach
Grand Prix
It’s Only the End of the World (Juste la fin du monde) directed by Xavier Dolan
Best Director ex-aequo
Olivier Assayas for Personal Shopper
and Cristian Mungiu for Graduation (Bacalaureat)
Best Screenplay
Asghar Farhadi for Salesman (Forushande)
Best Actress
Jaclyn Jose in Ma’ Rosa, directed by Brillante Mendoza
Best Actor
Shahab Hosseini in Salesman (Forushande) directed by Asghar Farhadi
Jury Prize
American Honey directed by Andrea Arnold
Palme d’Or — Short Film
Timecode directed by Juanjo Gimenez
Palme d’Or — Short Film
The Girl Who Danced with the Devil (A Moça que Dançou com au Diabo, directed by João Paolo Miranda Maria
Caméra d’Or (first feature prize)
Divines directed by Houda Benyamina
Un Certain Regard
Best Film
The Happiest Day in the Life of Olli Mäki (Hymyilevä Mies) directed by Juho Kuosmanen
Jury prize
Harmonium (Fuchi Ni Tatsu) directed by Kôji Fukada
Best Director
Matt Ross for Captain Fantastic
Best Screenplay
The Stopover (Voir du pays) directed by Delphine and Muriel Coulin
Special Prize
The Red Turtle directed by Michael Dudok de Wit)
Directors’ Fortnight
Art Cinema Award
Wolf & Sheep directed by Shahrbanoo Sadat
Best French-language feature
The Together Project (L’Effet Aquatique) directed by Solveig Anspach
Special mention
Divines directed Houda Benyamina
Europa Cinemas award to a European feature film
Mercenary (Mercenaire) directed Sacha Wolff
Best Short Film
Chasse Royal directed by Lise Akoka and Romane Gueret
Special mention
The Beast (Zvir) directed by Miroslav Sikavica
Critics’ Week
Grand Prize
Mimosas directed by Oliver Laxe
Visionary Award
Albüm directed by Mehmet Can Mertoğlu
Discovery Prize for short films
Prenjak directed by Wregas Bhanuteja
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