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Forbidden fruit: censorship at Antalya Golden Orange 2014
At this year’s festival in Turkey’s bustling resort city, filmmakers and organisers worked out a new lesson the hard way: thou shalt not subtitle defamations of Turkish officialdom in English. Kaya Genç reports.
Tuesday 21 October 2014 -
Eksperimenta, Experimenta, from Zagreb to London
Michael Pattison surveys leftfield goods at 25FPS in Zagreb and the Experimenta section of this year’s London Film Festival.
Sunday 12 October 2014 -
Knocking on the celluloid ceiling: movies directed by women in the London Film Festival 2014
One fifth of the films in this year’s are directed (or co-directed) by women. It’s as good as it gets but not good enough, festival director Clare Stewart tells Sophie Mayer.
Friday 10 October 2014 -
Encounters 2014: inhabit the home of one’s enemy
Marking its 20th anniversary with a transitional event, Bristol’s Encounters festival juggled art and industry, new movies with greatest hits, and brought the radical in from the fringe. Tim Hayes reports.
Wednesday 1 October 2014 -
Writing lessons: James Schamus and Emma Thompson, from desk to podium
Nick James reports from two BAFTA screenwriters’ lectures with the writer-producer of Ride with the Devil and the writer-actor of Nanny McPhee.
Monday 29 September 2014 -
Gentleman film educator and scholar, 5 April 1941–10 August 2014, remembered by Edward Buscombe.
Monday 29 September 2014 -
Prospectives past: post-war European sci-fi
Simran Hans sees a quintet of erstwhile visions of the future from across the old Iron Curtain.
Monday 29 September 2014 -
Neil McGlone remembers the Finnish film historian, director and festival impresario, 29 August 1943-17 September 2014.
Wednesday 24 September 2014 -
White river and black water: post-Yugoslav documentary festivals 2014
Kosovo has more film festivals than cinemas. Croatia may have more than any other country in the world. Neil Young investigates DIY cinephilia in the lands of the southern Slavs.
Monday 15 September 2014 -
The Golden Lion for A Pigeon…: Roy Andersson glides to the prize at Venice 2014
The Songs from the Second Floor director concludes his deadpan-doleful trilogy with the festival’s “most extreme work of authorial exactitude on show”, reports Nick James.
Sunday 7 September 2014
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