Three recent documentaries about the birth and growing pains of post-apartheid South Africa epitomised the reflective mood at this year’s Scottish showcase of African cinema. Harriet Warman reports.
Sight & Sound received the following response to our editor’s editorial The Equalizers, which invited more introductions and pitches from good female writers.
The Fall of the Wall was showcased at this year’s Danish celebration of documentary art; but the best of the fest raked over less fêted events, as well two forays in nonfiction performance. Carmen Grey reports.
Nick James finds Portugal’s trademark wistful melancholia on screen via Dutch master Johan van der Keuken, Marguerite Duras and the longtime head of the Portuguese Cinematheque.