In the second of our video reports about London’s 2015 batch of cinema initiatives, Edward Lawrenson sees and hears a valorous defence of celluloid film projection from Close Up Cinema’s Damien Sanville.
Anthony Killick embeds himself with a crack troupe of volunteer cinema refitters remaking a former Liverpool magistrates court as a cooperative picturehouse.
Sabina Stent looks at Audrey Hepburn’s eight movie collaborations with the designer Hubert de Givenchy, the designer who helped define her iconic style on screen and off.
Watching an encounter between the nonfiction jammer behind The Look of Silence and the mashup reporter who made The Power of Nightmares, Robert Greene wonders if cinema and fact must make uncomfortable bedfellows?
Trevor Johnston talks to the producer of The Tree of Life and more about his turn back to directing with this accomplished take on reclusive pop genius Brian Wilson.