A glimpse into the mind – and heart – of wild western elegist Sam Peckinpah during the making of his still underestimated 1974 quasi-self-portait, by his biographer and confidant Garner Simmons.
Inspired by glimpses of a fictional Daft Punk in Mia Hansen-Løve’s French house-music saga Eden, Nick Chen traces the band’s own series of cinematic masquerades.
Anthony Killick embeds himself with a crack troupe of volunteer cinema refitters remaking a former Liverpool magistrates court as a cooperative picturehouse.