Toronto Film Festival 2016 – all our coverage

Into the Inferno review: Werner Herzog communes with volcanoes

Ben Nicholson on Werner Herzog and Cambridge professor Clive Oppenheimer’s wispy but winningly insouciant geological jaunt around the earth’s fiery maws.
Tuesday 27 September 2016

Nocturnal Animals review: Tom Ford gets his junk on

The fashion designer’s follow-up to A Single Man, in which Amy Adams’ gallerist projects herself into her ex-husband’s latest potboiler, conjures a very good sense of reading a not very good book, says Simran Hans.
Monday 26 September 2016

Prevenge review: Alice Lowe’s broody slasher satire

Look who’s stalking: director-star Alice Lowe lets it all hang out as a psycho mum-to-be in this wicked send-up of pregnancy mores, says Michael Leader.
Friday 23 September 2016

Hermia & Helena review: Matías Piñeiro’s midsummer Manhattan dream

Tom Charity on Argentine writer-director Matías Piñeiro’s first English-language film, a New York transposition of his Rohmeresque riffs on Shakespeare’s romcoms.
Friday 23 September 2016

The B-Side: Elsa Dorfman’s Portrait Photography review – Errol Morris’s homage to Polaroids

Ben Nicholson on Errol Morris’s genial inquiry into photographic memory by way of a tribute to a photographer and friend.
Friday 23 September 2016

Abacus: Small Enough to Jail review – Steve James meets the minnows of mortgage fraud

Tom Charity on Steve James’s documentary portrait of a (sometimes too) friendly family firm of Chinese-American bankers – and their post-banking crash prosecution.
Tuesday 20 September 2016

Jackie review: portrait of the icon under the shadow

Pablo Larraín’s prismatic take on a newly widowed Jacqueline Kennedy Onassis explores the legend-cultivating icon, but doesn’t much lift the veil on anything human, says Tom Charity.
Friday 16 September 2016

La La Land – first-look review

Once more with zing: Chazelle, Hurwitz, Gosling and Stone bring the musical back to Hollywood, says Tom Charity.
Thursday 15 September 2016

The Cinema Travellers – first-look review

Ben Nicholson on a documentary tribute to India’s dwindling band of roving film projectionists that mixes hope with nostalgia.
Tuesday 13 September 2016

Moonlight first-look review: masculinity, differently

Barry Jenkins’ deft, affecting drama shades three steps of growth and connection in a quiet Miami boy’s journey to manhood, says Simran Hans.
Tuesday 13 September 2016

A United Kingdom – first look

Simran Hans on Amma Asante’s retelling of the post-war, inter-continental love story between Seretse Khama and Ruth Williams, a refresh of the woman’s picture that again confronts skeletons of Britain’s colonial past.
Monday 12 September 2016

Free Fire – first look

Simran Hans on Ben Wheatley’s High-Rise counterpoint, a late 70s, warehouse-confined Boston-Irish crime caper steeped in blood and banter.
Sunday 11 September 2016