The quirky heroes of the René Goscinny and Alberto Uderzo comics return to the screen in an adventure that soars when it is its most appealingly odd, writes Leigh Singer.
The director talks to Philip Concannon about how he made his deliciously original debut feature by hand, and how his story of Cornish fishermen has resonated with audiences all over the world.
How can cinema make visible the digital data transfers that increasingly dominate our lives? Jehane Noujaim’s and Karim Amer’s new doc on the Cambridge Analytica scandal (and Sleater-Kinney’s new music video) step up to the challenge, says So Mayer.
Hogg’s drily perceptive drama unfolds in a series of painterly and acutely well-judged vignettes, as Honor Swinton Byrne and Tom Burke play lovers adrift in early 1980s Knightsbridge, writes Kate Stables.
In this compassionate drama from the director of Harmonium, parallel timelines show how Tsutsui Mariko’s protagonist becomes drawn into her nephew’s crime of abduction, writes Josh Slater-Williams.
Pedro Almodóvar finds an avatar in Antonio Banderas’s terrific performance as a director transported by memories of his childhood, but this film is as much about Spanish politics as his life and work, writes Maria Delgado.
Damien Manivel’s deftly choreographed dance-drama explores how Isadora Duncan’s powerful expression of maternal grief resonates through the lives of contemporary performers, writes Sophie Monks Kaufman.
A poet of the mobile sync-sound camera, Pennebaker’s raw, quicksilver portraits of performers from JFK to Dylan showed us unscripted truths worth waiting for, as the veteran observational documentarian Roger Graef remembers.