Paul Dano’s prodigal father is just another distillation of the Korean-American writer-director’s ongoing preoccupation with truant parents, she confesses to Sam Wigley.
Alex Gibney’s exposé of child abuse in the Catholic Church finds the institution seeing (and even breeding) evil while speaking none of it. By Philip Kemp.
Watching Denis Côté’s digitally desultory Vic + Flo Saw a Bear opposite Max Ophuls’s visually caressing The Trouble with Money, Shane Danielsen wonders why we are stripping the lustre from our screen stars.