Laxe paints an immersive portrait of the Galician countryside, in which the mystery and beauty of the landscape dwarfs the inner turmoil of those who occupy it, writes James Lattimer.
Flashbacks, a frenetic pace and striking set pieces combine to make this near-abstract crime movie an exhilarating if skin-deep experience, writes James Lattimer.
In his first year in the role, the seventh artistic director of the festival’s parallel indie programme discusses the pressures of continuity, change and gender parity with James Lattimer.
Richard Billingham’s obliquely topical debut feature offers a fragmented story of life in inner-city Birmingham during the Thatcher years, as bruising memories rise to the surface, writes James Lattimer.
Radu Muntean’s latest drama follows a rebellious daughter and her distraught mother through a crisis, but fails to convince us to believe in their delicate dynamic, writes James Lattimer.
The dream-like, noir-ish second film from the twenty-something Chinese director Bi Gan follows a solitary man as he attempts to track down a past lover.
Though Sergei Loznitsa’s episodic film has valuable moments of insight, it lacks the quiet openness found in his documentaries, as it veers wildly between drama and farce, writes James Lattimer.