Festivals
211 - 220 of 456
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“Human once again”: documentaries spring eternal at Mexico’s Ambulante 2015
Ten years into its mission to bring audiences their own images on screen, has Mexico’s touring Ambulante tapped a new mood of hope, asks Joshua Jelly-Schapiro?
Wednesday 22 April 2015 -
Bermuda 2015: cutting its shorts according to its cloth
The island’s film festival has shallower pockets since the recession hit – but it still draws a high calibre of Hollywood talent, says Nick James.
Wednesday 22 April 2015 -
One step back: spring sidesteps the 2015 Istanbul Film Festival
Amidst thawing relations between the Turkish state and its Kurdish insurgency, a censorship debacle at this year’s Turkish film showcase snowballed out of anyone’s control. Kaya Genç reports.
Sunday 19 April 2015 -
FLARE 2015 critics’ roundtable
From queer bodies in sports to the life online, this year’s London LGBT film festival suggested gay cinema is growing up and out of both tragedy and feelgood transcendence, according to Sophie Mayer, Frances Morgan and Ben Walters.
Thursday 2 April 2015 -
The naked festival: True/False 2015 versus the rules
As the festival’s advocacy of documentary unorthodoxy takes hold, must this audience-first jamboree learn to play the film business’s games, asks Charlie Lyne?
Friday 20 March 2015 -
Films for film’s sake: Tromsø 2015
James Bell reports on how the ‘Paris of the north’ flies the flag for cinema in the Arctic circle.
Thursday 26 February 2015 -
A judicious jury gave its awards to Iran’s Jafar Panahi, Chile’s Pablo Larraín and Patricio Guzmán, actors Charlotte Rampling and Tom Courtenay – and Radu Jude’s fascinating period foray Aferim, writes Nick James.
Sunday 15 February 2015 -
Berlinale 2015 midway roundup: Malick, Larraín, Guzmán, Panahi, Haigh
New movies from Pablo Larraín and Patricio Guzmán put Chile’s finest out front in an exciting first half of the festival, reports Nick James.
Tuesday 10 February 2015 -
Rotterdam 2015: the sandwich that became a doughnut
Rotterdam knows it must diet, but how to square this with its embrace of a centrifugal cinema, wonders Neil Young?
Monday 9 February 2015 -
RIDM 2014: Aesthetics of withdrawal and revolution
Patrick Smith and Viviane Saglier trace a thread from James Benning’s reclusive Two Cabins films to the crucibles of Maidan and Silvered Water, Syria Self-Portrait.
Monday 9 February 2015
211 - 220 of 456
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