Claire’s Camera and The Day After review: two poles of the Hong Sangsoo affair
The prolific South Korean has two films at Cannes. Both tackle marital infidelity and its consequences, but one is black-and-white and sombre, the other more flighty, with an enigmatic turn from Isabelle Huppert, writes Giovanni Marchini Camia.
Giovanni Marchini Camia
Friday 26 May 2017
Reviews and recommendations