Did Kelly Reichardt’s intimist small-town Montana character study fully deserve its Best Film award at this year’s London Film Festival – or does it have a ‘celebrity problem’? Is Paul Verhoeven’s blackly provocative rape-revenge drama Elle a revelation of our society’s misogeny – or an expression of it? Does gay black identity make all the difference to the merits of Barry Jenkins’ indie coming-of-age drama Moonlight? And just what point is Bertrand Bonello trying to make with the millennial department-store terrorists of Nocturama?
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