Michael Brooke inspects an eloquently jaundiced anti-thriller set in the fag end of Poland’s Communist era, a highlight of this year’s Kinoteka showcase of Polish cinema.
Jonathan Rommey on three festival finds from Russia and Austria, including a sci-fi cult attraction extraordinaire and a portrait of Chernobyl awaiting meltdown.
At an East London working-men’s club, Peter Watkin’s 1966 vision of a nuclear attack screened alongside Louis Bernassi’s new montage of burning buildings. Frances Morgan reports on an evening of fire, fury and salvaged prints.