Théo Court’s icy Tierra del Fuego-set western surveys a world in the making, and the taking, through the doubtful gaze of Alfredo Castro’s pioneer photographer, writes Elisabet Cabeza.
Arnaud Desplechin looks into the past and out from the shadows in this dour new detective story, weaving a web of mystery and misery which doesn’t quite connect all the dots, finds Elisabet Cabeza.
Agnès Varda’s latest self-portrait in film folds her recent career masterclass tour back into movie form, musing imaginatively on a selection of her works, subjects and experiences, writes Elisabet Caneza.
José Mujica was no ordinary politician, and Emir Kusturica’s portrait of the retured former Uruguayan president is an impressively intimate study of a great man, writes Elisabet Cabeza.