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  • The many faces of Federico Fellini – part three: Federico by Fellini

    As the BFI celebrates the centenary of the gleefully idiosyncratic Italian director’s birth, we explore the themes underlying his dazzling work, here with Julia Wagner on the director’s most enduring creation – the character of ‘Federico Fellini’.

    Julia Wagner
    Thursday 30 January 2020

    Features

  • From the Magazine

    Divine inspirations: the art of The Lighthouse

    Behind the bold, original vision Robert Eggers displays in his new film lies a vast trove of literary and visual influences, from Herman Melville to H.P. Lovecraft and – just possibly – Dad’s Army, writes Graham Fuller.


    Tuesday 28 January 2020

    Features

  • From the Magazine

    The many faces of Federico Fellini – part two: the Felliniesque

    As the BFI celebrates the centenary of the gleefully idiosyncratic Italian director’s birth, we explore the themes underlying his dazzling work, here with Pasquale Iannone on il maestro’s love of world-building inside studios – particularly Rome’s Cinecittà.


    Thursday 23 January 2020

    Features

  • From the Magazine

    The making of Cary Grant

    Before he became a bona fide star in the late 1930s, Cary Grant spent a number of years as a studio player, often miscast in forgettable films – but as he experimented with roles to find what worked best, the contours of the legend we know were gradually being etched.​


    Saturday 18 January 2020

    Features

  • From the Magazine

    The many faces of Federico Fellini – part one: the neorealist

    As the BFI launches a major retrospective to celebrate the centenary of the gleefully idiosyncratic Italian director’s birth, we explore some of the themes that made Fellini’s work such a dazzling highpoint in 20th-century art cinema, starting with Philip Kemp on his emergence in the neorealist tradition.


    Friday 17 January 2020

    Features

  • Cats is pure bewildering pleasure

    Cats might seem a folly by normal habits of judgment – but its mad musical choreography and even its awkward effects are a pure hit of visual singularity, says Mark Cousins.


    Friday 20 December 2019

    Features

  • From the Magazine

    Path of most resistance: the films of Laura Mulvey and (the late) Peter Wollen – in tribute

    Laura Mulvey and Peter Wollen showed that films could be a vehicle for theoretical enquiry every bit as effective as writing, writes Oliver Fuke.

    Oliver Fuke
    Wednesday 18 December 2019

    Features

  • From the Magazine

    Journey to the end of the beach: Godard, Karina and Pierrot le fou

    Six months after divorcing his muse Anna Karina, Jean-Luc Godard cast her in the story of the breakdown of a love affair. In tribute to Karina, who has died aged 79, we revisit David Thomson’s 2009 reflection on the film as valedictory autobiography.


    Monday 16 December 2019

    Features

  • Danny DeVito’s Hoffa is a rare Hollywood left turn

    Martin Scorsese’s The Irishman may grieve for the controversial Teamsters president who disappeared in 1975 – but it’s Danny DeVito’s 1992 biopic starring Jack Nicholson that best encapsulates the union champion’s values, writes Tim Hayes.

    Tim Hayes
    Wednesday 27 November 2019

    Features

  • Generation snowflake: Frozen II and the quest for climate justice

    Nature’s resilience is put to the test in Disney’s sequel to its animated Arctic-kingdom blockbuster, in which millennial poster princesses Elsa and Anna inherit a world convulsed by environmental trauma, says So Mayer.


    Tuesday 19 November 2019

    Features

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