Nick Pinkerton
All articles by Nick Pinkerton
From the Sight and Sound archive
Survival instincts: the cinema of Jaume Collet-Serra
In our September 2016 issue, Nick Pinkerton defended the work of the Spanish director, who had carved a successful niche in the US making high-quality, middle-budget genre pictures, including a jaw-droppingly entertaining shark attack thriller.
By Nick Pinkerton
Survival instincts: the cinema of Jaume Collet-Serra
Reviews
State Funeral observes a period of mourning for Stalin
By Nick Pinkerton
From the Sight and Sound archive
Remake/remodel: 45 weird and wonderful alternative film cuts
By James Bell, Tom Charity and others
Best of 2020
Bacurau is a tough and timeless Brazilian frontier western
By Nick Pinkerton
Best of 2020
David Byrne’s American Utopia doesn’t burn down the house
By Nick Pinkerton
Best of 2020
Richard Jewell explores how an unlikely hero loses his religion
By Nick Pinkerton
From the Sight and Sound archive
Les bon temps rouler: rolling with Les Blank’s good-time movies
By Nick Pinkerton
Best of 2020
About Endlessness takes Roy Andersson’s sad-sack sketches to the great beyond
By Nick Pinkerton
Lists
Forgotten treasures of the multiplex
By Ryan Gilbey, Nick James and others
Reviews
Matthias & Maxime review: Xavier Dolan reflects on growing up, glibly
By Nick Pinkerton
Reviews
The Wild Pear Tree review: Nuri Bilge Ceylan enters the dreams of a prodigal son
By Nick Pinkerton
Reviews
Krabi, 2562 review: Anocha Suwichakornpong and Ben Rivers slip and slide through the Holocene
By Nick Pinkerton
Reviews
The Public: Emilio Estevez’s all-too peaceful protest
By Nick Pinkerton
Reviews
Leviathan review: a wet and wild documentary like nothing you’ve seen (or felt)
By Nick Pinkerton
Reviews
Star Wars: Episode VII – The Force Awakens review: J.J. Abrams brings her in safely
By Nick Pinkerton
Reviews
The Last Black Man in San Francisco review: a bloated portrait of a city in flux
By Nick Pinkerton
Reviews
The Beach Bum review: Harmony Korine’s shaggy dog story of an endless summer
By Nick Pinkerton
Reviews
Werewolf review: labour-camp survivors confront the dogs of war in this grisly Nazi horror
By Nick Pinkerton
Reviews
Men in Black: International review: don’t be deceived by this brand-management ruse
By Nick Pinkerton
Reviews
If Beale Street Could Talk review: a thwarted romance in slow-motion
By Nick Pinkerton
Reviews
Film of the week: The Wolf of Wall Street
By Nick Pinkerton
Reviews
Green Book review: the little hoax that could
By Nick Pinkerton
Reviews
Film of the week: Roma reframes Alfonso Cuáron’s boyhood through the eyes of his family’s maid
By Nick Pinkerton
Reviews
Mother! review: Darren Aronofsky’s symphony of domestic disquiet
By Nick Pinkerton
Features
Burt Reynolds obituary: a blithe legend
By Nick Pinkerton
Reviews
Christopher Robin review: now we are middle-aged
By Nick Pinkerton