Leigh Singer
All articles by Leigh Singer
Interviews
Silver Haze: how we made our arson-attack survivor drama
Following on from their acclaimed collaboration Dirty God, star Vicky Knight and director Sacha Polak discuss their new hard-hitting drama, which uses its lead actor’s physicality in a central, even more personal, context.
By Leigh Singer
Silver Haze: how we made our arson-attack survivor drama
Interviews
How Britain got its groove back: the return of Cymande
By Leigh Singer
Reviews
The Color Purple: showstopping musical adaptation is determined to accentuate the positive
By Leigh Singer
Festivals
Chicken Run: Dawn of the Nugget: an endearing second helping of fowl play
By Leigh Singer
Festivals
Fallen Leaves star Alma Pöysti on working with Aki Kaurismäki: “Everyone was surprised he made this movie”
By Leigh Singer
Features
The enigmatic ‘pillow shots’ of Yasujiro Ozu
By Leigh Singer
Reviews
Squaring the Circle (The Story of Hipgnosis): a nostalgic ode to the album cover
By Leigh Singer
Reviews
The Old Man Movie: Lactopalypse: a madcap Estonian stop-motion comedy
By Leigh Singer
Festivals
Close Your Eyes: a triumphant return for Víctor Erice
By Leigh Singer
Reviews
Lunana: A Yak in the Classroom: gentle Bhutanese drama
By Leigh Singer
Reviews
Knock at the Cabin: by-the-numbers Shyamalan
By Leigh Singer
Reviews
All Quiet on the Western Front: the horror, the horror
By Leigh Singer
What to watch at LFF
Haunted Hotel: A Melodrama in Augmented Reality: well worth checking into
By Leigh Singer
Reviews
Emily: a creative rewriting of the life of Emily Brontë
By Leigh Singer
Reviews
The Banshees of Inisherin: a rich, resonant, blackly funny tragedy
By Leigh Singer
What to watch at LFF
Roald Dahl’s Matilda the Musical: a joyous maximalist fable
By Leigh Singer
Reviews
The Score: catnip for Johnny Flynn fans
By Leigh Singer
Reviews
Brian and Charles: a charmingly lo-fi sci-fi mockumentary
By Leigh Singer
Festivals
Aftersun peers through rosy girlhood memories to a father’s hidden gloom
By Leigh Singer
Festivals
Jerry Lee Lewis: Trouble in Mind lets the Killer try to shoot straight
By Leigh Singer
Festivals
Three Thousand Years of Longing teems with Idris Elba’s Djinn-soaked tales
By Leigh Singer
Reviews
This Much I Know To Be True shows Nick Cave live and unchained
By Leigh Singer
Where to begin
Where to begin with Guillermo del Toro
By Leigh Singer
Features
Reservoir Dogs: 30 years of the film that shook up American cinema
By Leigh Singer
Reviews
No Sudden Move is a sharp, gritty crime thriller from Steven Soderbergh
By Leigh Singer
What to watch at LFF
Post-lockdown laughs: comedies in the age of COVID
By Leigh Singer