Demetrios Matheou
All articles by Demetrios Matheou
Reviews
Valley of Souls is a Colombian fisherman’s journey into the heart of paramilitary darkness
Nicolás Rincón Gille’s fiction feature debut is a continuation of his documentaries’ focus, following fisher José on a quest to lay his sons’ souls to rest.
By Demetrios Matheou
Valley of Souls is a Colombian fisherman’s journey into the heart of paramilitary darkness
Reviews
Midnight Family: patrolling Mexico City in a private ambulance
By Demetrios Matheou
Reviews
Birds of Passage review: finding common ground in gang war and blood feuds
By Demetrios Matheou
Reviews
Meeting Gorbachev review: Werner Herzog misses the boat
By Demetrios Matheou
News
The rebel confederacy: the Doc Alliance at CPH:DOX 2011
By Demetrios Matheou
News
In defence of Latin languors: The Third Side of the River, History of Fear, Beach of the Future and Aloft
By Demetrios Matheou
Features
Lucrecia Martel: a catch-up primer on the Argentine’s brilliant career to date
By Demetrios Matheou
Interviews
The Grown-ups interview: moving documentary casts Down’s syndrome in a new light
By Demetrios Matheou
Reviews
Embrace of the Serpent review: a true Amazonian treasure
By Demetrios Matheou
News
Cannes 2012: A history of violence – After Lucia
By Demetrios Matheou
Interviews
No moss gathered: Nicholas Ray’s We Can’t Go Home Again
By Demetrios Matheou
Interviews
5 minutes with Wild Tales director Damián Szifrón
By Demetrios Matheou
Interviews
The body politic: Pablo Larraín on Post Mortem
By Demetrios Matheou
News
Cannes 2012: Cinema-chewing: Leos Carax’s Holy Motors
By Demetrios Matheou
News
Cannes 2012: ‘No’ for a lighter, nicer Chile
By Demetrios Matheou
News
The revolution will be dramatised: José Filipe Costa’s Red Line at IndieLisboa 2011
By Demetrios Matheou
News
CPH:DOX 2010: ‘naughty new vocabularies for documentary’
By Demetrios Matheou
News
Berlinale 2012: Starship stormtroopers – Iron Sky
By Demetrios Matheou