Kelly Reichardt’s Montana triptych beautifully captures the lives of four women united by their isolation and their emotional exhaustion, writes Catherine Wheatley.
Commandingly executed as ever, Michael Haneke’s study of love’s ultimate transcendence defies expectations with compassion for its characters and respect for its audience, says Catherine Wheatley.
In which Josh Radnor returns to his real-life alma mater and acts out a May-December Peter Pan romance with an improv-drama student played by Elizabeth Olsen. Catherine Wheatley tries to look kindly.
As an East German wannabe emigré thaws, so does this cool thriller-turned-melodrama – and Catherine Wheatley sees new reason for international audiences to engage with the work of its director Christian Petzold.