Brad Stevens
All articles by Brad Stevens
From the Sight and Sound archive
Faces in the crowd: the ending of Journey to Italy
An apparently random shot at the end of Rossellini’s 1953 film encapsulates the director’s egalitarian vision
By Brad Stevens
Faces in the crowd: the ending of Journey to Italy
Obituaries
RIP Monte Hellman, patron saint of obsessional cinephiles
By Brad Stevens
Features
How John Berger gave us new ways of seeing Hollywood cinema
By Brad Stevens
From the Sight and Sound archive
Remake/remodel: 45 weird and wonderful alternative film cuts
By James Bell, Tom Charity and others
Lists
Forgotten treasures of the multiplex
By Ryan Gilbey, Nick James and others
Features
Home of the weak: Out of the Past and four ways of framing film noir
By Brad Stevens
Features
Straight to DVD: De Palma’s Passion and Coppola’s Twixt
By Brad Stevens
Features
The Wizard of Lies: three faces of Robert De Niro
By Brad Stevens
Features
The masks of Agnès: Varda’s self-portraits and performances on screen
By Brad Stevens
Features
“So nobody can lie”: Sam Fuller’s Falkenau and the morality of tracking shots
By Brad Stevens
Features
Reflections on style: what became of classical Hollywood mise en scène?
By Brad Stevens
Features
Disrupting the director: when an auteur meets the Method
By Brad Stevens
Features
As tears go by: why do film characters cry at the cinema?
By Brad Stevens
Features
The Other Side of the Wind: understanding Orson Welles’s ‘impossible’ film
By Brad Stevens
Features
Auteurists under cover: when acclaimed filmmakers take on TV assignments
By Brad Stevens
Features
It Should Happen to You: a vacuous, or voluptuous, vision?
By Brad Stevens
Features
Flaming the fans: in praise of DIY subtitles
By Brad Stevens
Features
Grace Elliott: a woman filming a woman interviewing a man
By Brad Stevens
Features
Ulu Grosbard’s Georgia: a melodrama as mysterious as real life
By Brad Stevens
Features
The Freudian revenge of David Lean’s Madeleine
By Brad Stevens
Features
Masters of space: mise en scène in Ophuls and Hitchcock
By Brad Stevens