The Life Sublime; The Blue Bull
Spain
Voted in the directors’ poll
Voted for
1984 |
Ingmar Bergman |
|
1964 |
Pier Paolo Pasolini |
|
1968 |
Orson Welles |
|
JLG: Self-Portrait in December |
Jean-Luc Godard |
|
1962 |
John Ford |
|
1929 |
Dziga Vertov |
|
Route One, USA |
Robert Kramer |
|
1965 |
Luis Buñuel |
|
1949 |
Jacques Tourneur |
|
1966 |
Roberto Rossellini |
Comments
Ford, the Founding Father. Everything merges in him.
Pasolini, for the first time, gave life to the Holy Text. Image and faith became the same thing.
Bergman brings together every form of art in one film.
Kramer cries for the America that couldn’t exist.
Vertov found a new one-eyed God.
Welles staged his own legend. Buñuel, the great entomologist.
Tourneur and the sensuality of the cinematographic form.
Godard creates the self portrait in cinema and showed us how to think through images.
Sight & Sound magazine
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