General director, Molodist Kyiv International Film Festival since 1990; director, Ukrainian Cinema Foundation since 2005; film critic; member of FIAPF commission for film festivals; member of the Ukrainian State Film Agency
Ukraine
Voted in the critics’ poll
Voted for
1958 |
Andrzej Wajda |
|
1925 |
Sergei M Eisenstein |
|
1941 |
Orson Welles |
|
1931 |
Charles Chaplin |
|
1969 |
Luchino Visconti |
|
1930 |
Aleksandr Dovzhenko |
|
1950 |
Akira Kurosawa |
|
1964 |
Sergei Parajanov |
|
1954 |
Federico Fellini |
|
1957 |
Ingmar Bergman |
Comments
It’s always very difficult to make this choice because there are more than ten films that are really great. But, anyway, for me there are two ways of choosing: first, by the head – to count the movies that have a place in the history of world cinema or that led a new wave revolution; second, by the heart – movies that impressed me emotionally or were revolutionary to my consciousness. This list includes more films that I saw for first time when I was young, at a time when I didn’t recognise cinema as an art. This includes films such as Atalanta by Griffith, which I am sure must be included in a top ten of world cinema. For me, it holds a historical place in the world cinema, as with the films of Jean Vigo or Abel Gans. This is how I explain the fact that I did not include the films from this early epoch, except for Sergey Eisenstein’s Battleship Potyomkin, from 1925. On the other hand, the latest year I have included is 1969, when Visconti made his Gotterdammerung. There is no movie from the last 43 years! Perhaps more recent films could be considered rather for a top 100 than for the top ten.