Film critic and former programer of the Hong Kong International Film Festival
Japan
Voted in the critics’ poll
Voted for
1989 |
Hsiao-hsien Hou |
|
1990 |
Wong Kar Wai |
|
1972 |
Francis Ford Coppola |
|
1949 |
Ozu Yasujirô |
|
1983 |
Andrei Tarkovsky |
|
Parents' Heart |
Chun Kim |
|
1939 |
Jean Renoir |
|
1956 |
John Ford |
|
1948 |
Fei Mu |
|
1958 |
Alfred Hitchcock |
Comments
La Règle du jeu is a coming together of the mind, the heart and the senses; Spring in a Small Town is the high point of art and artistry in Chinese cinema, reached when the burdens of war, nation and ideology had been lifted, ever so slightly; Late Spring – Yasujiro Ozu, Hara Setsuko, Ryu Chishu… enough said; Parents’ Heart is the epitome of the 1950s Golden Period of Hong Kong cinema; The Searchers distills humanity, landscape and time into sublime poetry; Vertigo and The Godfather prove that genre pictures can be great art; Nostalghia makes one wish that metaphysical was always so sensuous; City of Sadness is a true epic and a whole lot more; and Days of Being Wild is cinema’s ultimate unfinished masterpiece.