1Tokyo Story (1953)
Ozu Yasujirô
1Tokyo Story (1953)
The final part of Yasujiro Ozu’s loosely connected ‘Noriko’ trilogy is a devastating story of elderly grandparents brushed aside by their self-involved family.
22001: A Space Odyssey (1968)
Stanley Kubrick
22001: A Space Odyssey (1968)
Stanley Kubrick took science fiction cinema in a grandly intelligent new direction with this epic story of man’s quest for knowledge.
2Citizen Kane (1941)
Orson Welles
2Citizen Kane (1941)
Given extraordinary freedom by Hollywood studio RKO for his debut film, boy wonder Welles created a modernist masterpiece that is regularly voted the best film ever made.
5Taxi Driver (1976)
Martin Scorsese
5Taxi Driver (1976)
Martin’s Scorsese’s unsettling story of disturbed New York cab driver Travis Bickle (Robert De Niro) is a classic of 70s cinema.
6Apocalypse Now (1979)
Francis Ford Coppola
6Apocalypse Now (1979)
Transplanting the story of Joseph Conrad’s colonial-era novel Heart of Darkness to Vietnam, Francis Ford Coppola created a visually mesmerising fantasia on the spectacle of war.
7Vertigo (1958)
Alfred Hitchcock
7Vertigo (1958)
A former detective with a fear of heights is hired to follow a woman apparently possessed by the past, in Alfred Hitchcock’s timeless thriller about obsession.
7Godfather: Part I, The (1972)
Francis Ford Coppola
7Godfather: Part I, The (1972)
The first of Francis Ford Coppola’s epic trilogy about the Corleone crime family is the disturbing story of a son drawn inexorably into his father’s Mafia affairs.
9Mirror (1974)
Andrei Tarkovsky
9Mirror (1974)
Andrei Tarkovsky drew on memories of a rural childhood before WWII for this personal, impressionistic and unconventional film poem.
10Bicycle Thieves, The (1948)
Vittorio de Sica
10Bicycle Thieves, The (1948)
Vittorio De Sica’s story of a father and son searching for a stolen bicycle on the streets of Rome is a classic of postwar Italian cinema.
11Breathless (1960)
Jean-Luc Godard
12Raging Bull (1980)
Martin Scorsese
12Raging Bull (1980)
Starring Robert De Niro as the middleweight boxer Jake La Motta, Scorsese’s biopic is widely acknowledged as one of the greatest films of the 1980s.
13Persona (1966)
Ingmar Bergman
13Persona (1966)
A nurse (Bibi Andersson) and an actress who refuses to speak (Liv Ullmann) seem to fuse identities in Ingmar Bergman’s disturbing, formally experimental psychological drama.
13400 Blows, The (1959)
François Truffaut
13400 Blows, The (1959)
The directorial debut of film critic François Truffaut, this autobiographical story of a wayward child marked a fresh start for French cinema.
13Andrei Rublev (1966)
Andrei Tarkovsky
13Andrei Rublev (1966)
The life of a 15th century icon painter takes centre stage in Andrei Tarkovsky’s epic meditation on the place of art in turbulent times.
16Fanny and Alexander (1984)
Ingmar Bergman
16Fanny and Alexander (1984)
The grand summation of Ingmar Bergman’s career, this epic family drama drew on the director’s own childhood experiences in early 20th century Sweden.
17Seven Samurai (1954)
Akira Kurosawa
17Seven Samurai (1954)
Rice farmers hire a band of samurai to defend them against marauding bandits in Akira Kurosawa’s influential epic, a touchstone for action movies ever since.
18Rashomon (1950)
Akira Kurosawa
18Rashomon (1950)
Credited with bringing Japanese cinema to worldwide audiences, Akira Kurosawa’s breakthrough tells the story of a murder in the woods from four differing perspectives.
19Barry Lyndon (1975)
Stanley Kubrick
19Barry Lyndon (1975)
Stanley Kubrick’s exquisitely detailed adaptation of William Makepeace Thackeray’s novel about the picaresque exploits of an 18th century Irish adventurer.
19Ordet (1955)
Carl Theodor Dreyer
19Ordet (1955)
The penultimate film by the Danish master Carl Theodor Dreyer is a parable on the power of faith, set in a remote religious community.
21Au Hasard Balthazar (1966)
Robert Bresson
21Au Hasard Balthazar (1966)
Robert Bresson’s distinctive pared down style elicits extraordinary pathos from this devastating tale of an abused donkey passing from owner to owner.
22Modern Times (1936)
Charles Chaplin
22Modern Times (1936)
The final outing for Charlie Chaplin’s beloved Tramp character finds him enduring the pratfalls and humiliations of work in an increasingly mechanised society.
22Atalante, L' (1934)
Jean Vigo
22Atalante, L' (1934)
Newly-weds begin their life together on a working barge in this luminous and poetic romance, the only feature film by director Jean Vigo.
22Sunrise (1927)
F. W. Murnau
22Sunrise (1927)
Lured to Hollywood by producer William Fox, German Expressionist filmmaker F.W. Murnau created one of the silent cinema’s last and most luminous masterpieces.
22Règle du jeu, La (1939)
Jean Renoir
22Règle du jeu, La (1939)
Made on the cusp of WWII, Jean Renoir’s satire of the upper-middle classes was banned as demoralising by the French government for two decades after its release.
26Touch of Evil (1958)
Orson Welles
26Touch of Evil (1958)
Orson Welles’ return to Hollywood after ten years working in Europe is a sleazy border tale in which he takes centre stage as gargantuan detective Hank Quinlan.
26Night of the Hunter, The (1955)
Charles Laughton
26Night of the Hunter, The (1955)
Actor Charles Laughton’s only film as a director is a complete one-off, a terrifying parable of the corruption of innocence featuring a career-best performance from Robert Mitchum.
26Battle of Algiers, The (1966)
Gillo Pontecorvo
26Battle of Algiers, The (1966)
Gillo Pontecorvo’s masterpiece about the turbulent last years of French colonial rule in Algeria, seen from the perspective of both the guerrilla revolutionaries and the French authorities.
26strada, La (1954)
Federico Fellini
26strada, La (1954)
A brutish travelling strongman (Anthony Quinn) acquires a waif-like young assistant (Giulietta Masina) before taking to the road in Federico Fellini’s acclaimed neo-realist fable.
30Stalker (1979)
Andrei Tarkovsky
30City Lights (1931)
Charles Chaplin
30City Lights (1931)
The Tramp wins the affections of a blind flower seller (Virginia Cherrill) in this hilarious but heartbreaking comedy – one of Charlie Chaplin’s uncontested masterpieces.
30Avventura, L' (1960)
Michelangelo Antonioni
30Avventura, L' (1960)
In Michelangelo Antonioni’s groundbreaking and controversial arthouse milestone, the mystery of a woman’s disappearance from a Mediterranean island is left unresolved.
30Amarcord (1972)
Federico Fellini
30Amarcord (1972)
Federico Fellini returned for inspiration to his own childhood in 1930s Rimini for this colourful comedy-drama about life in a small seaside town under Fascist rule.
30Gospel According to St Matthew, The (1964)
Pier Paolo Pasolini
30Gospel According to St Matthew, The (1964)
Pier Paolo Pasolini’s third feature abandons the profane in favour of the sacred in a documentary-like retelling of the story of Christ.
30Godfather: Part II, The (1974)
Francis Ford Coppola
30Godfather: Part II, The (1974)
The expansive second part of Francis Ford Coppola’s Mafia saga continues the Corleone family story, charting in parallel young Vito’s earlier rise to prominence.
30Come And See (1985)
Elem Klimov
37Close-Up (1989)
Abbas Kiarostami
37Some Like It Hot (1959)
Billy Wilder
37Some Like It Hot (1959)
On the run from Chicago mobsters, two musicians don drag to join an all-girl jazz band fronted by Sugar Kane (Marilyn Monroe) in Billy Wilder’s hugely popular comedy.
37dolce vita, La (1960)
Federico Fellini
37dolce vita, La (1960)
Federico Fellini’s epic charts a week in the life of a tabloid journalist (Marcello Mastroianni) as the excesses of modern Roman life go on around him.
37Passion of Joan of Arc (1927)
Carl Theodor Dreyer
37Passion of Joan of Arc (1927)
Silent cinema at its most sublimely expressive, Carl Theodor Dreyer’s masterpiece is an austere but hugely affecting dramatisation of the trial of St Joan.
37Playtime (1967)
Jacques Tati
37Playtime (1967)
Jacques Tati directs and stars in this fun account of the bumbling M Hulot’s day in Paris.
37Man Escaped, A (1956)
Robert Bresson
37Viridiana (1961)
Luis Buñuel
37Viridiana (1961)
In Luis Buñuel’s controversial masterpiece, a novice nun gets more than she bargains for when she turns her dead uncle’s estate into a home for beggars.
44Once Upon a Time in the West (1968)
Sergio Leone
44Once Upon a Time in the West (1968)
The railroad rushes westward, bringing power and progress with it, in Sergio Leone’s grandest spaghetti western, an operatic homage to Hollywood’s mythology of the Old West.
44mépris, Le (1963)
Jean-Luc Godard
44mépris, Le (1963)
Working with his biggest budget to date, Jean-Luc Godard created a sublime widescreen drama about marital breakdown, set during pre-production on a film shoot.
44Apartment, The (1960)
Billy Wilder
44Apartment, The (1960)
In Wilder’s Oscar-winning comedy, Jack Lemmon plays an office worker who lends his apartment to adulterous superiors in order to get ahead.
44Hour of the Wolf (1968)
Ingmar Bergman
48One Flew Over the Cuckoo's Nest (1975)
Milos Forman
48One Flew Over the Cuckoo's Nest (1975)
The comic energy and tragic weight of Jack Nicholson’s unforgettable lead performance make this a classic of 70s cinema.
48Searchers, The (1956)
John Ford
48Searchers, The (1956)
John Ford created perhaps the greatest of all westerns with this tale of a Civil War veteran doggedly hunting the Comanche who have kidnapped his niece.
48Psycho (1960)
Alfred Hitchcock
48Man with a Movie Camera (1929)
Dziga Vertov
48Man with a Movie Camera (1929)
An impression of city life in the Soviet Union, The Man with a Movie Camera is the best-known film of experimental documentary pioneer Dziga Vertov.
48Shoah (1985)
Claude Lanzmann
48Lawrence of Arabia (1962)
David Lean
48Lawrence of Arabia (1962)
An eccentric English officer inspires the Arabs to unite against the Turks during WWI in David Lean’s seven Oscar-winner, an epic in every sense.
48eclisse, L' (1962)
Michelangelo Antonioni
48eclisse, L' (1962)
Antonioni’s film charts the hot and cold relationship of a young couple in bustling Rome.
48Pickpocket (1959)
Robert Bresson
48Pather Panchali (1955)
Satyajit Ray
48Pather Panchali (1955)
The first part of Satyajit Ray’s acclaimed Apu Trilogy is a lyrical, closely observed story of a peasant family in 1920s rural India.
48Rear Window (1954)
Alfred Hitchcock
48Goodfellas (1990)
Martin Scorsese
59Blow Up (1966)
Michelangelo Antonioni
59Blow Up (1966)
The refined visual style of Italian maestro Michelangelo Antonioni collides with swinging 60s London in this story of a man who may have unwittingly photographed a murder.
59Conformist, The (1970)
Bernardo Bertolucci
59Conformist, The (1970)
Bernardo Bertolucci’s stylish period thriller stars Jean-Louis Trintignant as a repressed bureaucrat in Mussolini’s Italy who is assigned to kill his former professor.
59Aguirre, Wrath of God (1972)
Werner Herzog
59Gertrud (1964)
Carl Theodor Dreyer
59Woman Under the Influence, A (1974)
John Cassavetes
59Blue Velvet (1986)
David Lynch
59Blue Velvet (1986)
In David Lynch’s idiosyncratic drama, a young man’s curiosity draws him into the twisted criminal sub-culture operating beneath the placid surface of his cosy hometown.
59grande illusion, La (1937)
Jean Renoir
59grande illusion, La (1937)
Jean Renoir’s pacifist classic is set in a German prisoner-of-war camp during WWI, where class kinship is felt across national boundaries.
67Badlands (1973)
Terrence Malick
67Blade Runner (1982)
Ridley Scott
67Blade Runner (1982)
Loosely adapted from a novel by Phillip K. Dick, Ridley Scott’s dark, saturated vision of 2019 Los Angeles is a classic of popular science-fiction cinema.
67Sunset Blvd. (1950)
Billy Wilder
67Sunset Blvd. (1950)
The most caustic of European émigré directors, Wilder explored the movie industry and the delusions of stardom in Hollywood’s great poison pen letter to itself.
67Ugetsu Monogatari (1953)
Mizoguchi Kenji
67Ugetsu Monogatari (1953)
In war-torn 16th-century Japan, two men leave their wives to seek wealth and glory in Kenji Mizoguchi’s tragic supernatural classic.
67Singin' in the Rain (1951)
Stanley Donen/Gene Kelly
67Singin' in the Rain (1951)
Hollywood’s troubled transition from silent to talking pictures at the end of the 1920s provided the inspiration for perhaps the greatest of movie musicals.
67In The Mood For Love (2000)
Wong Kar Wai
67Journey to Italy (1954)
Roberto Rossellini
67Journey to Italy (1954)
This devastating study of a marriage coming apart during a holiday in Italy is the best known of the films Roberto Rossellini made with his wife Ingrid Bergman.
67Vivre Sa Vie (1962)
Jean-Luc Godard
67Vivre Sa Vie (1962)
Jean-Luc Godard’s fourth feature – his third with wife and muse Anna Karina – charts in 12 tableaux a would-be actress’s descent into prostitution.
75Seventh Seal, The (1957)
Ingmar Bergman
75Seventh Seal, The (1957)
During the plague-ravaged middle ages, a knight buys time for himself by playing chess with Death in Bergman’s much-imitated arthouse classic.
75Hidden (2004)
Michael Haneke
75Battleship Potemkin (1925)
Sergei M Eisenstein
75Battleship Potemkin (1925)
A fixture in the critical canon almost since its premiere, Sergei Eisenstein’s film about a 1905 naval mutiny was revolutionary in both form and content.
75There Will Be Blood (2007)
Paul Thomas Anderson
75There Will Be Blood (2007)
This operatic portrait of a diabolical oil baron is a formal tour de force and a compelling portrait of all-American 20th century sociopathy.
75Shining, The (1980)
Stanley Kubrick
75Shining, The (1980)
Stanley Kubrick’s masterpiece of modern horror, based on Stephen King’s bestselling novel.
75General, The (1926)
Buster Keaton
75General, The (1926)
Train driver Buster Keaton gives chase when Union agents steal his locomotive in this classic silent comedy set at the time of the American Civil War.
75Mulholland Dr (2001)
David Lynch
75Clockwork Orange, A (1971)
Stanley Kubrick
75Clockwork Orange, A (1971)
A dystopian future London is the playground of a teenage gang leader in Stanley Kubrick’s stylish, controversial take on Anthony Burgess’s novel about violence and free will.
75Fear Eats the Soul (1974)
Rainer Werner Fassbinder
75Fear Eats the Soul (1974)
Fassbinder’s international breakthrough is an unconventional love story with devastating emotional power.
75Kes (1969)
Ken Loach
75Kes (1969)
The tough, touching story of a northern schoolboy and the kestrel that brings hope to his hardscrabble life remains the most widely admired of Ken Loach’s films.
75Husbands (1970)
John Cassavetes
75Wild Bunch, The (1969)
Sam Peckinpah
75Wild Bunch, The (1969)
A gang of outlaws goes out in a blaze of violence and glory in Sam Peckinpah’s elegiac film about the dying days of the wild west.
75Salo, or The 120 Days of Sodom (1975)
Pier Paolo Pasolini
75Salo, or The 120 Days of Sodom (1975)
Pier Paolo Pasolini’s controversial adaptation of the Marquis de Sade’s novel, relocated to Benito Mussolini’s fascist republic.
75Jaws (1975)
Steven Spielberg
75Jaws (1975)
Steven Spielberg laid the template for the modern summer blockbuster with this expert thriller about the hunt for a man-eating great white shark.
75Los Olvidados (1950)
Luis Buñuel
91Pierrot le Fou (1965)
Jean-Luc Godard
91Pierrot le Fou (1965)
Riffing on the classic couple-on-the run movie, enfant terrible Jean-Luc Godard took the narrative innovations of the French New Wave close to breaking point.
91chien andalou, Un (1928)
Luis Buñuel
91Chinatown (1974)
Roman Polanski
91Chinatown (1974)
Roman Polanski’s brilliant thriller stars Jack Nicholson as a private eye uncovering corruption in 1930s Los Angeles, a desert town where water equals power.
91Maman et la putain, La (1973)
Jean Eustache
91Beau Travail (1998)
Claire Denis
91Opening Night (1977)
John Cassavetes
91Gold Rush, The (1925)
Charles Chaplin
91Zero de Conduite (1933)
Jean Vigo
91Deer Hunter, The (1977)
Michael Cimino
91Deer Hunter, The (1977)
Along with Apocalypse Now, Michael Cimino’s brutal but ultimately contemplative war movie is a key American cinematic take on the Vietnam conflict.
91argent, L' (1983)
Robert Bresson
91argent, L' (1983)
Robert Bresson’s last film turns a Tolstoy novella about a forged banknote into a formidably focused meditation on the supposed root of all evil.
91Killing of a Chinese Bookie, The (1976)
John Cassavetes
91Sans Soleil (1982)
Chris Marker
91Don't Look Now (1973)
Nicolas Roeg
91Don't Look Now (1973)
Set in off-season Venice, British director Nicolas Roeg’s tragedy combines an acute study of grief with a supernaturally charged thriller plot, to beautiful and devastating effect.
91I am Cuba (1964)
Mikhail Kalatozov
91Last Year At Marienbad (1961)
Alain Resnais
91Last Year At Marienbad (1961)
In Alain Resnais’ infamous art-house teaser, from a screenplay by Alain Robbe-Grillet, a male guest at a chateau claims he met a woman there the year before.
91Samouraï, Le (1967)
Jean-Pierre Melville





