Highlighted works
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The tough, touching story of a northern schoolboy and the kestrel that brings hope to his hardscrabble life remains the most widely admired of Ken Loach’s films.
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The killing of an American activist by the police in Northern Ireland reveals a high-reaching political conspiracy in Ken Loach’s thriller.
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Based on Arthur Ransome’s classic novel, Swallows and Amazons is a heartwarming adventure set against the breathtaking backdrop of the Lake District.
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Ken Loach’s film remake of his earlier TV drama In Two Minds explores the treatment of a teenager’s schizophrenia.
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Drawing on his own memories, writer-director John Boorman shows us a suburban family’s experience of World War II through the eyes of a nine-year-old boy.
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Michael Caine sealed his screen stardom with this memorable portrayal of a cockney womaniser whose exploits seemingly typified the sexual freedoms of Swinging 60s London.
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Carol White (Cathy Come Home) stars in Ken Loach’s debut film, as a working-class single mother living in the London slums.
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Richard Lester’s film charts a fictionalised day in the life of The Beatles, back in the UK after conquering America, and on the run from their fans.
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Saturday Night and Sunday Morning
Albert Finney’s powerhouse performance as a Nottingham factory worker changed British screen acting, just as Karel Reisz’s incisive and authentic film changed British cinema.
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Peter Finch gives a quietly devastating performance as the gay Jewish doctor bearing up through romantic crisis in John Schlesinger’s piercing and brilliantly observed suburban drama.
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Nicolas Roeg’s directing career began with this explicit and experimental thriller about a hunted gangster taking refuge with a reclusive rock star.
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Sam Peckinpah’s controversial thriller, about an American couple who move to a Cornish village – setting off a tragic chain of events.
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A thoughtful account of British soldiers’ heroic defence of an outpost against vastly superior Zulu forces in 1879, famed for its gripping battle sequences.
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Three young professional women experience the highs and lows of Swinging London.
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Scripted by novelist Nick Hornby, this unusually upmarket coming-of-age story made an overnight sensation of Carey Mulligan as a precocious schoolgirl learning life lessons in early 1960s London.
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Spectacular automotive stunt work, Michael Caine’s stellar presence and a jocular overall tone have made this otherwise standard heist picture a favourite with British audiences.
Filmography
2019
Filmed at
2018
in association with
Picture Post Production2018
in association with
Filmed at2018
Post-production Video by
Post-production Sound by2018
Post-production Completed at
2018
Re-recorded at
2018
Sound Re-recorded at
2018
Re-recorded
2017
In association with
Post Production Services by
ADR Studios
Production Facilities2017
Post-production by
2017
Re-recorded at
2017
Sound Re-recorded at
2017
Re-recorded at
2017
Re-recorded at
2017
[Sound] Re-recorded at
2017
Re-recorded at
2017
Sound Re-recorded at
2017
Sound Re-Recorded at
2017
Foley Recorded at
2017
Foley recorded at
2017
Foley Recorded at
2017
Additional Photography Filmed at
2016
Sound Re-recorded at
2016
Filmed at
2015
Sound Post-production at
2015
Filmed at
2014
Re-recorded at
2014
Filmed on Location in the UK and at
2014
Shot on location in London and at
2012
Sound Re-recorded at
ADR Recorded at2012
The Best Exotic Marigold Hotel
Re-Recorded at
2012
Sound Re-recorded at
2011
Sound Re-recording
2010
Re-recorded at
2010
Filmed at
2009
Filmed at
2009
Filmed at
2008
Sound Mixed and Recorded at
2008
Studio
2008
Studio (uncredited)
2008
Filmed at
2008
Filmed at
2007
Post-production
2007
[Sound] Re-recorded at
2007
Filmed at
2007
And When Did You Last See Your Father?
Filmed at
2007
Filmed at
2005
Re-recorded at
2005
Foley (Recording)
2004
Post-production
2004
Studio
2004
Additional Filming at
2003
Sound Re-recorded at
2002
Post Production Facilities
Filmed at2002
Studio
2002
Studio
2001
Studio
2000
Whatever Happened to Harold Smith?
Re-recorded at
2000
Post-production
2000
Studio
1999
Sound Re-recorded at
1999
Re-recorded at
1999
Sound Re-recorded at
1999
Re-recorded at
1999
Sound Post-production provided by
1999
ADR Recorded at
1999
ADR Recorded at
Foleys Recorded at1999
Studio
1999
Studio
1999
Studio
1998
Post-production Facilities
1998
Re-recorded at
1998
Recorded at
1998
Made at
1998
Studio
1998
Martha - Meet Frank, Daniel and Laurence
Studio
1997
ADR Mixer
1997
Studio
1997
Studio
1997
Studio
1997
Studio
1997
Studio
1997
Studio
1997
Post-production Facilities/Re-recording
1996
Post Production
1996
Filmed at
1996
Studio
1995
Soundtrack re-recorded at
Filmed in/around1995
Studio
1994
Post-production
1994
Sound Re-recording
1994
Post-production Facilities
1994
I Can't Give You Anything but Love, Baby
Studio
1994
Studio
1994
I Wonder Where My Baby Is Tonight
Studio
1994
Studio
1993
Re-recorded at
1993
Sound Re-recorded at
1993
15 The Life and Death of Philip Knight
Re-recorded at
1993
Studio
1993
Lipstick on Your Collar Part 5
Studio
1993
Lipstick on Your Collar Part 2
Studio
1993
Lipstick on Your Collar Part 1
Studio
1993
Lipstick on Your Collar Part 3
Studio
1993
Lipstick on Your Collar Part 6
Studio
1993
Studio
1993
Lipstick on Your Collar Part 4
Studio
1992
Studio
1992
Studio
1992
Studio
1992
Studio
1992
Studio
1992
Studio
1992
Studio
1992
Studio
1992
Studio
1992
Studio
1992
Studio
1991
Dubbling Facilities
1991
Made at
1991
Studio
1991
Studio
1991
Studio
1991
The Killing of Yesterday's Children
Studio
1991
Studio
1991
Studio
1991
Studio
1991
Made at
1990
[Music] Mixed at
1990
Studio
1989
Sound Re-recorded at
1989
Studio
1989
Studio
1988
Sound Re-recording
1988
Studio
1987
ADR recording
1987
Studio
1987
Filmed at
1985
Made at
1984
Soundtrack Pre-mixed at
Filmed at1984
Sound Re-recorded at
1984
Studio
1984
Filmed at
1984
Filmed at
1984
Studio
1984
Filmed at
1984
Made at
1984
Studio
1983
Studio
1983
Studio
1981
1981
Filmed at
1981
Studio
1980
Re-recorded at
1979
Recorded in Dolby Stereo at
1979
Made at
1979
Filmed at
1978
Re-recorded at
1978
Studio
1978
Filmed at
1978
Made at
1977
Re-recording
1977
Made at
1977
Post-Production Facilities at
1976
Post-production
1976
Recorded at
1976
Filmed at
1976
Studio
1975
Post-production Facilities
1975
Studio
1975
Made at
1975
Filmed at
1974
Sound Re-recorded at
1974
Sound Re-recorded at
1974
Made at
1974
Completed and Recorded at
1974
Completed at
1973
Made at
1973
Made at
1973
Filmed at
1973
Made at
1973
Made at
1972
The Possession of Joel Delaney
Post-production at
1972
Completed at
1972
Studio
1972
Made at
1972
Filmed at
1972
Made at
1972
Made at
1972
Made at
1971
Post-production Work at
1971
Post-production/Editing
1971
Sound Recorded at
1971
Made entirely on location and completed at
1971
Made at
1971
Completed and Recorded at
1971
Made at
1971
Made at
1971
Made at
1971
Studio
1971
[Made] at
1970
Sound Recorded at
1970
Made at
1970
Made at
1970
The Man Who Had Power over Women
Made at
1970
Completed at
1970
Made at
1969
Sound Recorded at
1969
Made at
1969
Filmed on location and at
1969
Studio
1968
Completed at
1968
Made at
1968
Made at
1968
Studio
1968
Studio
1968
Made at
1968
Made at
1968
Completed at
1967
Produced at
1967
Made at
1967
Made at
1967
Made at
1967
Made at
1967
Studio
1966
1966
Made at
1966
Completed at
1966
Studio
1965
Studio
1965
Studio
1965
Studio
1965
Studio
1965
Made at
1965
Made at
1965
Made at
1965
Studio
1965
Studio
1965
Studio
1964
Studio
1964
Made at
1964
Made at
1964
Made at
1964
Made at
1964
Studio
1963
Made at
1963
Made at
1963
Studio
1963
Made at
1962
Studio
1962
Made at
1962
Studio
1962
Studio
1962
[Made] at
1962
Studio
1962
Made at
1961
Studio
1961
Made at
1961
Studio
1961
Saturday Night and Sunday Morning
Made at
1961
Studio
1961
Made at
1961
Studio
1961
Made at
1961
Studio
1960
Made at
1960
Studio
1959
Made at1959
Filmed on location in London from
1959
Made at
1959
Studio
1959
Made at
1958
Studio
1958
Filmed at
1957
Made at
1957
Made at
1957
Made at
1955
Filmed at
1955
Studio
1955
Made at (uncredited)
1954
Studio
1954
Made at
1949
Studio
1948
Made at
1948
Studio
1948
Studio
1940
Studio
1937
Studio
1937
Studio
1937
Produced at
1936
Studio
1936
Produced at
1936
Produced at
1936
Studio
1936
[Produced] at
1936
Produced at
1935
[Recorded] at
1935
[Made] At
Studio1935
Studio
1935
Studio
1935
[Produced] at
1935
Recorded at
1935
Studio
1935
Produced at
1935
[Studio]
1935
Produced at
1935
Produced at
1935
[Studio]
1935
Studio
1935
Produced at
1935
Studio
Studio1934
Recorded at
1934
[Produced] at
1934
Studio
1934
Studio
1934
Studio
1934
Say It with Flowers (A Human Story)
[Recorded] at
1934
[Produced] at
1933
Studio
1933
Produced at
1933
Recorded at
1932
Studio
1932
Studio
1932
Studio
1932
Recorded at
1932
Studio
1932
Recorded at
1932
Studio
1931
Studio
1931
Recorded at
1930
Studio
1929
[Recorded] at